WORKS ABOUT FRENCH, LATIN AMERICAN, AND OTHER THEATRE
[See also separate listings for playwrights featured on home page and, at bottom of vita page, individual playwrights and items published in Estreno and Western European Stages, as well as books and editions cited at top of this vita page.]
Chapters in books:
"La presencia argentina en el teatro español contemporánea." En busca de una imagen: Ensayos sobre el teatro de Griselda Gambaro y José Triana. Ed. Diana Taylor. Ottawa: Girol, 1989. 29-42.
"El teatro en lengua francesa de autores exiliados españoles." El exilio teatral republicano de 1939, ed. Manuel Aznar Soler. Barcelona: GEXEL, 1999. 421-30.
"Spanish Presence on the Contemporary Parisian Stage." The Paris Jigsaw. Internationalism and the City's Stages. Ed. David Bradby and Maria Delgado. Manchester and New York: Manchester University Press, 2002. 199-211.
"Oscuro total: Entre la tragedia griega y el teatro del absurdo." In Matías Montes Huidobro: su obsesión por la escritura. Ed. Yara González Montes. Miami: Ediciones Universal, 2007. 169-82. [Translation of LATR article 37.2 (2004)]
"Jeanne de Castile at Center Stage: The Spanish Queen in Recent French Theatre." In Juana of Castile. History and Myth of the Mad Queen. Co-edited with co-edited with María Asunción Gómez and Santiago Juan-Navarro. Bucknell University Press, 2008, 158-72
Articles in Scholarly Journals:
"Traces of Giraudoux in the Contemporary Spanish Theater." Romance Notes ll(l969): 8-ll.
"Casona and Evreinov: Life as Theater." Modern Drama 22(l979): 79-88.
"The Contemporary Spanish and Mexican Stages: Is There a Cultural Exchange?" Latin American Theatre Review l9.l (l985): 43-47.
"Brecht in Spain." Theatre History Studies 10 (1990): 57-66.
"Classical Spanish Drama on the Contemporary French Stage." Bulletin of the Comediantes 42.1 (1990): 23-33.
"Valle-Inclán on the Contemporary French Stage." Proceedings of international Valle-Inclán symposium, ed. Leda Schiavo. 1994?
"Exile and Otherness in Hispanic Theatre: Examples from Three Continents." Hispanófila. 107 (1993): 33-41.
"El teatro español contemporáneo en los escenarios norteamericanos," Ínsula 601-02 (Jan.-Feb. 1997):39-40.
"Teatro español contemporáneo en Estados Unidos: El reto de llevar las traducciones al escenario." Cuadernos de Dramaturgia Contemporánea 3 (1998): 73-79.
"Twentieth-Century Spanish Theatre on the American Stage." Theatre Survey 41.1 (2001): 69-84.
Book reviews:
José Martín Elizondo. Picasso, reino milenario. España Contemporánea 2.3 (1989): 152-56.
Emmanuel Roblès. Albert Camus et la trêve civile. Folio 18 (1990): 64-65.
Kanellos, Nicolás. A History of Hispanic Theatre in the United States: Origins to 1940. Modern Drama 34.3 (1991): 458-59.
José Triana, Medea en el espejo, La noche de los asesinos, Palabras comunes. Anales literarios/dramaturgos 1.1 (1995): 298-99.
Anne Witte. Guilding the Plot. Politics and Feminism in the Work of Women Playwrights from Spain and Argentina, 1960-1990. Revista de Estudios Hispánicos, forthcoming.
Mariano Martín Rodríguez. El teatro francés en Madrid (1918-1936). Hispania 83.1 (2000): 65-66.
Notes:
Shakespeare Around the Globe: A Guide to Notable Postwar Revivals, ed. Samuel L. Leiter. Westport, Conn: Greenwood Press, l986. Barcelona/Madrid entries: pp. 160-61, 646, 713-14, 741-42.
"María Irene Fornés." With Lissette Camacho. Conducting a Life. Reflections on the Theatre of Maria Irene Fornes. Ed. Maria M. Delgado and Caridad Svich. North Statford NH: Smith and Kraus, 1999. 146-48.